In his ongoing project Jan Baracz has always moved along the shifting line between the random and the structured. He has conjured this nexus through a myriad of forms. Baracz's photography is a long-submerged extension of his art and design work of the last decade. While his art work frequently used photography as an element of larger structures, this series of images is a freestanding sequence. It reveals a different facet of Baracz's preoccupation with the powers and handicaps of perception. Here the phenomenological approach of his art yields to the point-blank intimacy of the captured subject.